RESUME - J. BRAYE (Music Executive)
J. Braye is a music executive located in Hampton Roads, Virginia. Born and raised in Chesapeake, VA, life was all about basketball and music. J. Braye was always exposed to music as early as he could remember. His father played jazz music CDs daily. Even though he hated jazz as a kid, music theory was being programed into his young mind.
J. Braye's first experience with music was with a Roland/Boss DR-220E 'Dr Rhythm' given to him by his older brother Blake. "Making beats on that machine was like a new video game to me. I was hooked and couldn't put it down." Seeing the interest young Jason took to music creation, his father purchased a video game called "MTV Music Generator". "MTV Music Generator was like FL Studio on the playstation. I had shoeboxes full of PS memory chips with beats on them!". Jason found ways to manipulate the program to make fully custom beats and even sample!
Jason Braye formally known as JB Eazy's music production got so good, he was offered a position as a teenager at a local recording studio as an "in-house producer". "I used to bring my playstation to the studio and run 50 foot RCA cables from the lounge to the control room. Guys would be like, what did you make that on? A triton? MPC? I'd be like nope Playstation. I couldn't afford any of those pieces at the time so I made it work with what I had!" Jason's first production deal didn't work out as he learned quickly the nature of the music business.
After parting with the local record label/studio, J. Braye started to take his destiny in his own hands. He started recording himself and friends in the neighborhood. "My first recordings was with a radio shack mic hanging from the ceiling fan. We use to record on one tape, then play that one back to put in adlibs. It sounded horrible but we were just excited to be making music." Word got around that J had beats and recording equipment so he started to gain a following and team of artist. "When I think back, I've always loved music but made sure that I generated some revenue to keep my dream going. My first investment was a box of 200 tapes. I hit the streets with a few friends and sold them each for $2 bucks. We made $400, I recall having over $300 myself because I sold most of the copies. I turned around and bought a CD burner for $260 then started selling CDs for $5.
Working at some random photo album warehouse and selling CDs allowed J. Braye to get a computer and basic home studio set up. "The first week I started charging my friends $15 a song. I quickly realized that some people would take FOREVER to do one song so I changed that to $15 per hour ASAP! The sound quality was pretty good back then so the word really started to spread." Once business picked up in J. Braye's home studio, he quit his job. "I was working for $6 per hour. They'd expect me to empty a whole container of boxes in one hour. That didn't make sense to me. All that work was worth $6 bucks to them. I said I'd rather go back to selling CDs before doing that again." BY APPOINTMENT ONLY
No Walk-Ins Allowed
BE ON TIME
Arrive 10 minutes before your appointment
CLOCK STARTS ON SCHEDULE
Your studio time is the time booked, not your arrival time. Example, you book a 3pm to 5pm session and show up at 3:30. The studio was reserved at 3pm so thats the start time on the clock. Its not fair to push someone else’s time back because you were late.
15 MINUTE CLOSE OUT (ENDING SESSION)
No vocal recording or starting a new song 15 minutes prior to the session’s end. Recording time includes uploading instrumentals, burning and emailing music. You need to be ready to walk out the door at the end of your session and not running into another clients time slot. You are paying for studio time, not just 60 minutes behind the microphone.
RUNNING OVER YOUR TIME
If you are not finished with your song and your session is ending, you can get your session files saved to a USB device or data disk to finish on a later appointment. If the engineer has a gap in the schedule and you are able to extend time, there will be an additional fee. This choice is solely up to the engineer.
* 15 minutes or under (Studio A $15 / Studio B & C $10)
* 15 minutes or over rolls over to another hour.
(How engineers evaluate time: If you book 1 hour, want to squeeze in 2 songs and take 45 minutes to record, your next song will realistically take 45 minutes to record. Even if it’s a “quick freestyle” it still is against policy to record vocals in the last 15 minutes of the session. Your options are to spend more time mixing the first song you recorded, burn it on cd and leave, or pay for more time if the slot is available.)
ADDITIONAL FEES
Same day, early bird, and late night sessions are available for an additional “inconvenience fee”. Same day sessions are an additional $10 per hour. Contact us about early and late night appointment.
NO SMOKING IN THE ENTIRE BUILDING
Failure to comply will get you banned the studio.
BE RESPECTFUL
Respect the staff at Radio Ready Recording Studios because we have the right to refuse your business in the future if our experience was unpleasant with you or your guest. Also, be respectful to the other people in the building, because your behavior reflects us when you are coming and going from our place of business. We get reports on activity in the building and parking lot, if you or your group is causing a problem, you can get banned from the building.
QUIET ON THE
J. Braye was quickly discovered by a local record labelled called Little Rob Productions. They had an amazing studio located on Princess Anne Road but with one catch. No engineer. They where a record label so they where private. J. Braye negotiated with the label owner "Pee Wee" to open to the public in exchange for producing and engineering for the label. This opportunity opened many doors for the producer on the rise known at the time as JB Eazy. A few years after working, the studio closed due to rezoning. "At that time, I had way too much gear to go back to recording in the closet again. I had just had a son with no income. I was devastated I had to get a JOB!" J. Braye worked at Hanes on Virginia Beach Blvd. "I will never forget one of my most humbling and motivating moments was when one of my basketball coaches came in to buy some furniture. He didn't even speak to me, he just looked and shook his head at me as if I was a failure. What he didn't know is that every morning I made 5 beats a day. Every lunch break I was reading books about business, web design, marketing and more."
In 2002, J. Braye launched BeatboxKing.com (no longer active). This was one site that was the first wave of instrumental downloads online. "I created my site using free AOL disc on a telephone dial up connection!" J. Braye's website really made a mark in its time. CDs where shipped to many countries around the world. He got a chance to work with artist from all over that supported his website. "I wanted to quit my job so bad but I had a kid that I was responsible for. I did what I had to do and worked hard building my own brand". With his tax refund, J. Braye was able to invest in hard copy CDs. He started distributing the CDs to local music stores and urban clothing stores. Some locations would purchase wholesale, others would do consignment deals. I learned a lot about product placement, retail display, and the importance of relationship with your clients at that stage of my career.
By then second CD release, J. Braye had stumbled across an opportunity that would shape the course of his career. He was producing for an artist named M-Rep that was developing a label called Radio Ready Records. "We where in Norfolk and saw a building that looked abandoned but it was a group of people walking in with cameras so we followed them in. One of the guys was a photographer. He asked, "What kind of space are you looking for?" I said, a recording studio. He said, oh wow, it's one on the second floor. Later we discovered it was 103 Jamz former radio station!" The next day J. Braye, his brother Blake, and M-Rep decided to pursue the space. In the process, M-Rep was having mixed feelings about the investment so he backed out with no hard feelings. "Once I got those keys, I set up shop. Called every artist I had worked with in the past on top of the new artist I met from selling my beat CDs and I was back in business! I NEVER went back to Hanes! Job abandonment is what they call it (laughs)". Radio Ready Recording Studios opened its doors in April of 2005 and as been moving forward since then.
Being offered a publishing deal by Teddy Riley and working with Virginia's icons such as Pusha-T, No Malice, and FamLay certified him as one of the up and coming producers and engineers in VA to keep on the radar. In 2009 J. Braye formally known as JB Eazy gain enormous success by producing "I Look Good" for an up and coming artist out of Texas named Chalie Boy. "I had no idea that song was going to be as big as it was." This record was internationally received and is still in club dj's playlist to this day. "Chalie Boy and I joke around about him not liking the song at first..lol".
Since our inception, Radio Ready has opened its doors to interns, producers, and engineers. They've trained some successful engineers locally and gave a solid foundation to our current rising stars. KinoBeats was a very integral part of Radio Ready's story. KinoBeats consistently brought "fire mixes" and industry quality beats. His talent's quickly rose him to the most requested engineer and producer position, with his skills traveling from speaker to speaker. Since his start at Radio Ready, he has worked with countless celebrities and been on 5 world tours as a international producer and dj. KinoBeats is always on the move and producing records around the globe. Tracks for famous asian rap group Higher Brothers to producing underground gold for A$AP Rocky and Pharrell. Only the music aficionado would know about this gem. (Instagram: @KinoBeats)
Radio Ready has also been the meeting place for celebrities passing thru. Every now and then you may walk right past someone very important and not even know it. From the legendary Lex Luger, to Rich The Kidd, Sonny Digital, Malice, FamLay, MadeInTYO, and so many others to mention.
Currently, J. Braye is mentoring engineers and working as creative director with his socially interactive web series called Live in the Garden. #LiveInTheGarden features up and coming artist with all styles and no bias. Everyone gets a shot to share with the world. "Some will be received more than others initially but growth with continue for each artist on the platform with hard work.
I am here to help. I can connect clients with professionals that create cover art, videos, photos, beats, mixing, mastering, now even marketing! It's has been so amazing to watch artist go from finding their sound, to working on a project, to making final adjustments before songs are released! Then they share the music and realize that people really enjoy good music. All you have to do is share it. I want to inspire my creative community to continue to dream and explore their creativity. I'm here to help at every step with the insight I've gained over the years of working on countless projects." (Instagram: @iamjbraye)
J. Braye's first experience with music was with a Roland/Boss DR-220E 'Dr Rhythm' given to him by his older brother Blake. "Making beats on that machine was like a new video game to me. I was hooked and couldn't put it down." Seeing the interest young Jason took to music creation, his father purchased a video game called "MTV Music Generator". "MTV Music Generator was like FL Studio on the playstation. I had shoeboxes full of PS memory chips with beats on them!". Jason found ways to manipulate the program to make fully custom beats and even sample!
Jason Braye formally known as JB Eazy's music production got so good, he was offered a position as a teenager at a local recording studio as an "in-house producer". "I used to bring my playstation to the studio and run 50 foot RCA cables from the lounge to the control room. Guys would be like, what did you make that on? A triton? MPC? I'd be like nope Playstation. I couldn't afford any of those pieces at the time so I made it work with what I had!" Jason's first production deal didn't work out as he learned quickly the nature of the music business.
After parting with the local record label/studio, J. Braye started to take his destiny in his own hands. He started recording himself and friends in the neighborhood. "My first recordings was with a radio shack mic hanging from the ceiling fan. We use to record on one tape, then play that one back to put in adlibs. It sounded horrible but we were just excited to be making music." Word got around that J had beats and recording equipment so he started to gain a following and team of artist. "When I think back, I've always loved music but made sure that I generated some revenue to keep my dream going. My first investment was a box of 200 tapes. I hit the streets with a few friends and sold them each for $2 bucks. We made $400, I recall having over $300 myself because I sold most of the copies. I turned around and bought a CD burner for $260 then started selling CDs for $5.
Working at some random photo album warehouse and selling CDs allowed J. Braye to get a computer and basic home studio set up. "The first week I started charging my friends $15 a song. I quickly realized that some people would take FOREVER to do one song so I changed that to $15 per hour ASAP! The sound quality was pretty good back then so the word really started to spread." Once business picked up in J. Braye's home studio, he quit his job. "I was working for $6 per hour. They'd expect me to empty a whole container of boxes in one hour. That didn't make sense to me. All that work was worth $6 bucks to them. I said I'd rather go back to selling CDs before doing that again." BY APPOINTMENT ONLY
No Walk-Ins Allowed
BE ON TIME
Arrive 10 minutes before your appointment
CLOCK STARTS ON SCHEDULE
Your studio time is the time booked, not your arrival time. Example, you book a 3pm to 5pm session and show up at 3:30. The studio was reserved at 3pm so thats the start time on the clock. Its not fair to push someone else’s time back because you were late.
15 MINUTE CLOSE OUT (ENDING SESSION)
No vocal recording or starting a new song 15 minutes prior to the session’s end. Recording time includes uploading instrumentals, burning and emailing music. You need to be ready to walk out the door at the end of your session and not running into another clients time slot. You are paying for studio time, not just 60 minutes behind the microphone.
RUNNING OVER YOUR TIME
If you are not finished with your song and your session is ending, you can get your session files saved to a USB device or data disk to finish on a later appointment. If the engineer has a gap in the schedule and you are able to extend time, there will be an additional fee. This choice is solely up to the engineer.
* 15 minutes or under (Studio A $15 / Studio B & C $10)
* 15 minutes or over rolls over to another hour.
(How engineers evaluate time: If you book 1 hour, want to squeeze in 2 songs and take 45 minutes to record, your next song will realistically take 45 minutes to record. Even if it’s a “quick freestyle” it still is against policy to record vocals in the last 15 minutes of the session. Your options are to spend more time mixing the first song you recorded, burn it on cd and leave, or pay for more time if the slot is available.)
ADDITIONAL FEES
Same day, early bird, and late night sessions are available for an additional “inconvenience fee”. Same day sessions are an additional $10 per hour. Contact us about early and late night appointment.
NO SMOKING IN THE ENTIRE BUILDING
Failure to comply will get you banned the studio.
BE RESPECTFUL
Respect the staff at Radio Ready Recording Studios because we have the right to refuse your business in the future if our experience was unpleasant with you or your guest. Also, be respectful to the other people in the building, because your behavior reflects us when you are coming and going from our place of business. We get reports on activity in the building and parking lot, if you or your group is causing a problem, you can get banned from the building.
QUIET ON THE
J. Braye was quickly discovered by a local record labelled called Little Rob Productions. They had an amazing studio located on Princess Anne Road but with one catch. No engineer. They where a record label so they where private. J. Braye negotiated with the label owner "Pee Wee" to open to the public in exchange for producing and engineering for the label. This opportunity opened many doors for the producer on the rise known at the time as JB Eazy. A few years after working, the studio closed due to rezoning. "At that time, I had way too much gear to go back to recording in the closet again. I had just had a son with no income. I was devastated I had to get a JOB!" J. Braye worked at Hanes on Virginia Beach Blvd. "I will never forget one of my most humbling and motivating moments was when one of my basketball coaches came in to buy some furniture. He didn't even speak to me, he just looked and shook his head at me as if I was a failure. What he didn't know is that every morning I made 5 beats a day. Every lunch break I was reading books about business, web design, marketing and more."
In 2002, J. Braye launched BeatboxKing.com (no longer active). This was one site that was the first wave of instrumental downloads online. "I created my site using free AOL disc on a telephone dial up connection!" J. Braye's website really made a mark in its time. CDs where shipped to many countries around the world. He got a chance to work with artist from all over that supported his website. "I wanted to quit my job so bad but I had a kid that I was responsible for. I did what I had to do and worked hard building my own brand". With his tax refund, J. Braye was able to invest in hard copy CDs. He started distributing the CDs to local music stores and urban clothing stores. Some locations would purchase wholesale, others would do consignment deals. I learned a lot about product placement, retail display, and the importance of relationship with your clients at that stage of my career.
By then second CD release, J. Braye had stumbled across an opportunity that would shape the course of his career. He was producing for an artist named M-Rep that was developing a label called Radio Ready Records. "We where in Norfolk and saw a building that looked abandoned but it was a group of people walking in with cameras so we followed them in. One of the guys was a photographer. He asked, "What kind of space are you looking for?" I said, a recording studio. He said, oh wow, it's one on the second floor. Later we discovered it was 103 Jamz former radio station!" The next day J. Braye, his brother Blake, and M-Rep decided to pursue the space. In the process, M-Rep was having mixed feelings about the investment so he backed out with no hard feelings. "Once I got those keys, I set up shop. Called every artist I had worked with in the past on top of the new artist I met from selling my beat CDs and I was back in business! I NEVER went back to Hanes! Job abandonment is what they call it (laughs)". Radio Ready Recording Studios opened its doors in April of 2005 and as been moving forward since then.
Being offered a publishing deal by Teddy Riley and working with Virginia's icons such as Pusha-T, No Malice, and FamLay certified him as one of the up and coming producers and engineers in VA to keep on the radar. In 2009 J. Braye formally known as JB Eazy gain enormous success by producing "I Look Good" for an up and coming artist out of Texas named Chalie Boy. "I had no idea that song was going to be as big as it was." This record was internationally received and is still in club dj's playlist to this day. "Chalie Boy and I joke around about him not liking the song at first..lol".
Since our inception, Radio Ready has opened its doors to interns, producers, and engineers. They've trained some successful engineers locally and gave a solid foundation to our current rising stars. KinoBeats was a very integral part of Radio Ready's story. KinoBeats consistently brought "fire mixes" and industry quality beats. His talent's quickly rose him to the most requested engineer and producer position, with his skills traveling from speaker to speaker. Since his start at Radio Ready, he has worked with countless celebrities and been on 5 world tours as a international producer and dj. KinoBeats is always on the move and producing records around the globe. Tracks for famous asian rap group Higher Brothers to producing underground gold for A$AP Rocky and Pharrell. Only the music aficionado would know about this gem. (Instagram: @KinoBeats)
Radio Ready has also been the meeting place for celebrities passing thru. Every now and then you may walk right past someone very important and not even know it. From the legendary Lex Luger, to Rich The Kidd, Sonny Digital, Malice, FamLay, MadeInTYO, and so many others to mention.
Currently, J. Braye is mentoring engineers and working as creative director with his socially interactive web series called Live in the Garden. #LiveInTheGarden features up and coming artist with all styles and no bias. Everyone gets a shot to share with the world. "Some will be received more than others initially but growth with continue for each artist on the platform with hard work.
I am here to help. I can connect clients with professionals that create cover art, videos, photos, beats, mixing, mastering, now even marketing! It's has been so amazing to watch artist go from finding their sound, to working on a project, to making final adjustments before songs are released! Then they share the music and realize that people really enjoy good music. All you have to do is share it. I want to inspire my creative community to continue to dream and explore their creativity. I'm here to help at every step with the insight I've gained over the years of working on countless projects." (Instagram: @iamjbraye)
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J. Braye on the Billboard Charts
J. Braye on front cover of TheStashed.com
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From TheStashed.com: J. Braye is an entrepreneur, producer, engineer and pioneer, and yet, with all of these titles, he’s still found time to focus his attention on revamping Virginia’s soundscape. With Pharrell and Timbaland as two of his biggest inspirations, he’s currently spearheading the New VA movement. “My new vision is to reconstruct VA’s music scene,” he said in a press release. For Full Article, go to www.thestashed.com
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J. Braye on HipHopSince1987.com
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From HHS1987 Article: Equipped with arguably a lifetime’s achievement worth of accolades under his belt, Producing Houston native Chalie Boy‘s 2009 Billboard Chart Topping Single ‘I Look Good’, seasoned hip-hop genre producer and engineer J. Braye is now transitioning himself into the role of A&R and brand manager as he positions himself to reshape Virginia’s soundscape. So exactly how does the former Norfolk State Universityattendee plan on redefining the sound of the Commonwealth state? Through music of course. For Full Article, visit www.hiphopsince1987.com
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J. Braye on YouHeardThatNew.com
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From YouHeardThatNew.com: As rising icons such as Trak Girl, Young Money Yawn, Kino Beats, Black Cobain, Young Moe, Mi$tro, Sunny & Gabe, RDGLDGRN, Kali Uchis and GoldLink continue to inspire and confirm that Old Dominion’s star producing power does still exist, hopefully Braye’s blue print and promising proposal will serve as the permanent solution to Virginia’s consistent lack of industry validity. NewVA, get use to the name! For Full Article, visitwww.youheardthatnew.com
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J. Braye on ArtisticManifesto.com
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“My new vision is to reconstruct VA’s music scene. The first step is gathering the local producers and challenging them to create a signature sound/style of production specific to our area. The next step is linking the local artist with the local producers so that we can create a sonic that makes VA music sound unique. To intertwine the aforementioned aspects together I’ll use the marketing and business skills I’ve developed during the course of my career to share our one of a kind sound with the world. For Full Article, visitwww.aristicmanifesto.com
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J. Braye on MechanicalDummy.com
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From Mechanicaldummy: J.Braye is taking his talents to the A&R/brand management field with his new company and movement ‘NewVA’. Throughout the past years J has continued to make top quality music whether it was through production or engineering. The talented individual stresses very much about the lack of a distinct sound, movement and unity coming out of Virgina. The entrepreneur certainly has his mindset in the right direction with all of the talented unheard artists and producers in VA at the present time including the credible names (Pharrell, Timbaland, Missy Elliot) that have come up out of Virginia in the past. J.Braye is a very credited producer most notably known for his creation of Chalie Boy’s 2009 Billboard chart topping single ‘I Look Good’. For Full Article, visit www.mechanicaldummy.com
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J. Braye on ItsBizKit.com
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From ItsBizKit.com: The knowledgeable entrepreneur certainly has his mindset in the right direction with all of the talented unheard artists and producers coming out of VA at the present time. Don’t forget some of the credible names that have become stars out of Virginia such as Pharrell, Timbaland, Missy Elliot and many more. J.Braye is a well credited producer most notably known for his creation of Chalie Boy’s 2009 Billboard chart topping single ‘I Look Good’. His latest efforts are to ideally reconstruct the Virginia Music Scene. For Full Article, visit www.bizkit.com
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J. Braye on MidwestMonstars.com
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From www.midwestmonstars.com: In the future, I hope that we can create enough attention to get our hometown heroes involved in the creating process. Super-producers like Bink!, Pharrell, Timbaland, Danja Handz, Missy and Teddy Riley curated and captured a sound that was unlike anything else at the time. I believe we can restore that feeling again this time make the headquarters here.
For Full Article, visit www.midwestmonstars.com |